Susan Osborn Ph.D.

Dr. Susan Osborn is a prominent voice in gender, literature, and cultural criticism. An award-winning author, educator, and mentor, her work bridges feminist scholarship, activism, and storytelling. Her writing has appeared in The New York Times, The Washington Post, The Village Voice, American Scholar, and Mothering. Her acclaimed books include Surviving the Wreck, a novel, and Elizabeth Bowen: New Critical Perspectives. Dr. Osborn is Director of The Writing Center of Princeton and has taught at Rutgers, The New School, and SUNY. She also mentors with The Reilly Program at the BOLD Center for Advancing Women’s Professional Development at Douglass College, supporting women’s professional development, especially in the face of gender-based violence. A sought-after speaker, she is known for her engaging, insightful talks on systemic oppression and cultural change. Her advocacy includes work as a consultant for Incest AWARE, Rutgers’ United Nations “16 Days of Activism against Gender-Based Violence” campaign, and as a community educator and speaker for Saprea. Her work resonates with feminists, educators, social justice advocates, and professionals addressing sexual violence against women and trauma.

 

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“The offender is not out of the ordinary. He did not land from an alien planet. He came from amongst us…and is a mirror of our culture.”

—Linda Tschirhart Sanford

“We have… trivialized this subject, not because it is peripheral to major social interests, but because it is so central that we have not yet dared to conceptualize its scope.”

—Roland C. Summit

Q&A

Not many writers choose to write about incest. Why did you?

Good question. Let me start by saying that I have been interested in sexual violence against girls and women—and our culture’s indifference to it—for decades.

We in the West consider ourselves members of a humane society; we are part of a global network bent on justice for all. But think of it: for years, escalating attacks by non-state armed groups in eastern Democratic Republic of Congo (DRC) have led to “an unprecedented” surge in sexual violence, predominantly targeting girls and young women. When I read about the violence in the DRC, my question is always: Why is this not part of our daily news cycle?

So there’s that—my outrage at our indifference. But you asked specifically about incest, and I will tell you that I have been interested in incest—and our indifference to it—for a long time. Conservative data indicate that at least one in six daughters will experience incestuous violence by their fathers or father surrogates before the age of 18. And that’s just the tip of the iceberg: fewer than 10% of incest crimes are ever reported.

Why are we not outraged? If we all woke up one morning and discovered that one out of every six prepubescent girls had suddenly developed a disfiguring facial condition, we would be outraged. But we see no similar outrage about the prevalence of incest.

I also wanted to write about incest because for decades it has been niched—stuffed into the dark recesses of a dusty closet that no one wants to go near. Given my interest in sexual violence against girls and women, I felt it was time to take the topic out and have a look at it—especially to try to understand why we don’t include incest in our conversations about sexual violence. Are we, as a society, simply too squeamish or prudish to talk about it? My sense was no—that there was more at work in that silence. And my research demonstrated that there is a lot more going on—that there is a larger infrastructure and core systems—ordinary material and institutional arrangements— that supports and maintains incest’s invisibility.

She's Such a Liar confronts taboo topics head-on—why was it important for you to use the word “incest” so explicitly in the title?

First, I want to make clear that it was important for me to use the word incest in the title and throughout the text. Why? For a long time, we have hidden incest behind a load of gender-neutral and anodyne terms such as child sexual abuse (CSA) and adverse childhood experiences (ACEs). But incest is a word that speaks truth to power. Unlike the euphemisms and less offensive terms so often used, incest points directly at what is being described: a sexual violence crime that indicts fathers, and The Father, the patriarchal system that grants fathers (and father surrogates) license to commit sexual violence against their daughters.

Second, you simply can’t address a concern without naming it. Take the phrase “date rape,” coined in 1987 by psychologist Mary Koss to describe acquaintance rape. As Gloria Steinem once quipped, before we had language for date rape, sexual harassment, and other forms of sexual violence, such behavior was often called “just life.” Life is not prosecutable; date rape is.

Finally, for some, the word incest still evokes latent fears inculcated for millennia by those who wish to keep incest taboo. Fears about social dissolution and such. As anthropologists have shown, outrageous fears such as these are typically deployed to maintain social order through silence. But if we want to get anywhere with this fight, we need to de-sensitize ourselves to the word and start naming fathers’ sexual violence committed against their daughters for what it is: incest.

You describe the book as a manifesto. Why?
I wrote this book in the hope that it would serve as a clarion call—a plea that we change the way we see incest. Incest is not an isolated family tragedy or a taboo to be whispered about; rather, it’s a widespread, systemic form of sexual violence used to oppress, suppress, and forcibly heterosexualize girls. It is the most pervasive form of sexual violence in this country—and, most likely, the world. And yet, it remains shrouded in silence and denial. It thrives in secrecy, in euphemism, and in our collective refusal to name it. My aim is to help shift our perspective—to reframe incest not as a private family tragedy, but as a systemic injustice rooted in gender hierarchy and the subordination of girls, one that demands collective reckoning rather than quiet endurance.

Also, I wanted to write something that doesn’t just ask for awareness or incremental change, but invites a collective re-examination of the institutional power that has engineered—and has a stake in—the eclipsing of incest from our collective consciousness. Calling the book a manifesto is my way of acknowledging its intent to provoke thought, raise difficult questions, and encourage meaningful engagement. My decision to use “manifesto” doesn’t mean that the book is definitive or dogmatic. It’s not. My goal, instead, is for the book to spark conversation, unsettle assumptions, and invite people to think about incest—and other forms of sexual violence—differently.

Can you talk about the link between silence, power, and knowledge—and how this link has helped keep us in the dark about incest?
The silence the lurks around incest is often blamed on the daughter’s shame. But honestly—do we need to blame any more victims of sexual violence? Certainly, many girls who experience incestuous violence feel shame, but as I discovered, there are larger, systemic reasons for the silence that shrouds incest, and those reasons have to do with knowledge and power—who has it and who doesn’t. For example, since the beginning of written evidence of Western civilization, the medical profession has resolutely and conscientiously worked to silence the voices of daughters who experienced incestuous violence and instead imposed their own self-serving interpretations. A notable instance is Sigmund Freud. As a young, ambitious physician, Freud spent his early career listening to young upper- and middle-class white women tell him about incestuous attacks by their fathers or father surrogates. Freud recognized the psychic impact of these experiences, and presented his findings at the Society for Psychiatry and Neurology at the University of Vienna. But when his ideas were met with silence—and especially after the head of the Department of Psychiatry warned him against publishing “fairy tales”—Freud was mortified. Clearly, physicians feared that taking incest seriously could undermine their emerging authority in the field of medicine. In the face of this rebuke, Freud renounced his “erroneous” ideas, revised his theory, renamed it the “seduction theory,” and in his inimitably elegant fashion, lambasted daughters for lying about their innocent fathers. Not unexpectedly, instead of giving him the boot, the professional society he longed to be part of embraced him. The voices of those who experienced incestuous violence were silenced. Knowledge, power, and silence.
What role does language play in how society suppresses, distorts, or reveals the truth about incest and power?

I’ve already mentioned how the euphemistic language we so often encounter today neutralizes incest. But there are many other ways that we distort the reality of incest; I’ll mention just one here.

Throughout history, our culture’s epistemological stakeholders, by which I refer primarily to those in the medical and legal professions, have worked overtime to create interpretative language that deflects attention away from the perpetrators. The medical establishment, for example, has done this by interpreting the distress and anger incestuously exploited girls experience as a disease. First, it was hysteria. The psychic distress presented by girls who experienced incestuous violence originated in their unruly and disordered uteruses. Now, we generally talk about girls’ disordered amygdalae, which mainstream traumatologists tell us are likewise confused and malfunctioning. I am not denying the harm that incestuous violence does—it can destroy girls’ lifeworlds. But what we need to realize is that the disease model shifts attention away from the misogynistic and sexist social and political context in which incest occurs and makes the work of remediating incest the daughter’s responsibility. In other words, when we make the girl the focus of the crime, we eclipse the father from our view and deflect attention away the patriarchal society that grants fathers license to commit sexual violence against their daughters. Using this model, the stigma of incest falls on the daughters, not the system that permits the violence.

What most surprised you while writing this book?

There are so many things that surprised me that it would be impossible to list them all here, so let me just mention the first four that come to mind.

The medical establishment’s callous willingness to do harm, even when very young girls are involved.

The legal establishment’s willingness to protect fathers, no matter the cost to anyone else.

The system’s brazen, calculated drive to preserve its own version of the truth; its ruthless determination to do whatever it takes to control the narrative.

The way shame functions as a tool of systemic control over all women.

You’ve worked as a feminist scholar and a teacher. How has your academic background informed the writing of this book?

First, as a feminist writer and teacher, my purpose has always been to educate, advocate, and, hopefully, at least in some small way, liberate. I hope I’ve done the same in She’s Such a Liar.

Second, although I love research, I hate jargon. Academic jargon creates barriers to understanding and excludes non-experts. So one of my goals for She’s Such a Liar was to keep it free of jargon and accessible.

Finally, I am one of the few lucky women in the world—my degrees are exceptional, not because of what they are but because so few girls and women have access to education. Most of the world’s illiterate people are girls and women. I write and teach in full knowledge that the majority of female voices in the world will never be heard. Because I can write at all—and right now I think of all the ways women have been silenced and prevented from writing and continue to be silenced—because my words are read and taken seriously, my work is part of something larger than my own life. That I can write and teach is a responsibility and a privilege.

One last note: when I read from my work or conduct a class, I am always searching for teachers in those listeners who can broaden my scope, help me widen and deepen my understanding of my concerns and myself, the ego that always speaks through the words. For political correctness? In part, I suppose. But more to keep me from becoming ignorant, solipsistic, lazy, and dishonest.

What has been the most surprising reaction to She’s Such a Liar so far—and what does that tell you about the cultural moment we’re in?

I think the response that has most surprised me is that some, even in the face of factual evidence, insist that we’ve evolved beyond incest—as if it’s a relic of some primitive past, something that no longer happens in “civilized” society. But the data tell a very different story.

As for what this says about the cultural moment we’re in—I think we’re living in a time of profound contradiction. On one hand, we have unprecedented access to information, growing awareness of sexual violence against girls and women, and more language to talk about the harm it does than we did even 10 years ago. On the other hand, we still see people in power facing serious allegations of sexual violence who continue to be embraced by large parts of the public. That dissonance suggests that understanding and acknowledgment are not the same as change. We may be more aware, but we’re still struggling to figure out what to do about what we know.

Are you working on anything else now?

Actually, yes. We talk a lot about female shame, but we rarely examine how it actually works—how the entire patriarchal system depends on it, how it’s foundational to the material and institutional arrangements that uphold sexism and reproduce entrenched patterns of domination and subordination. But as I note in She’s Such a Liar, shame is a powerful tool for enforcing and reinforcing social norms; it operates as a systemic form of control that predates any individual experience of sexual violence. Shame’s silencing effect prevents girls and women from recognizing that the violence they have endured is not isolated, but part of a larger pattern. For example, in incest situations, by discouraging disclosure and solidarity, shame helps maintain a fathers’ tacit sexual ownership of their daughters and gender stratification. As such, the shaming of girls and women who have experienced incest and other forms of sexual violence relentlessly reinstates and legitimizes social injustice. I’ve argued that the shaming of girls and women makes male supremacy resilient beyond its ability to secure its own formal institutionalization in law and policy. If this is true, then a better understanding the politics of shame is essential to exposing the suppression of incest and reducing all forms of sexual violence against girls and women.

Career Highlights

  • Published essays and criticism in The New York Times, The Washington Post, Village Voice, American Scholar, and Chicago Tribune
  • Author of the novel Surviving the Wreck (called “a work of genius”) and Elizabeth Bowen: New Critical Perspectives (praised as a “tour de force”)
  • Director of The Writing Center of Princeton
  • Former professor at Rutgers University, Douglass College, The New School for Social Research, and SUNY-New Paltz
  • Holds degrees from Vassar College (A.B.) and Rutgers University (Ph.D.), with additional graduate work at the University of Pennsylvania and Columbia University
  • Mentor and coach for The Reilly Program at the BOLD Center for Advancing Women’s Professional Development
  • Speaker at universities, literary festivals, and conferences across the U.S. and Europe
  • Coordinator of Rutgers’ United Nations “16 Days of Activism against Gender-Based Violence” campaign
  • Partnered with Saprea to combat sexual violence against children
  • Recognized by feminists, educators, and medical professionals for connecting historical injustice to contemporary struggles and reform efforts
  • Organizer and workshop facilitator for The College of New Jersey’s Writers’ Conference
  • Academic Advisory Board member, Cork Writers’ School, Mitchelstown, Ireland
  • Consultant for Incest AWARE
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