Praise for She's Such a Liar

“In this bold and informative manifesto, Susan Osborn argues that incest is not merely a private family tragedy or a rare psychological aberration. It is a deeply embedded system of power—sustained by institutional complicity and the strategic discrediting of those who speak. Osborn exposes how Western social structures, particularly the medical establishment, rush to contain it. The result is a powerful machinery of disbelief that preserves hierarchy and suppresses knowledge. Clear-eyed and incisive, She’s Such a Liar reframes incest as a problem of knowledge and power—and calls for a collective reckoning with the systems that make truth dangerous.”

—Jennifer Joy Freyd, Ph.D., Professor Emerit, Psychology, University of Oregon; founder and president, Center for Institutional Courage

“Meticulously researched and thoughtfully written, She’s Such a Liar provides a vital and illuminating examination of how incest has been silenced across literature, medicine, and culture. Essential reading for feminists, clinicians, researchers, and advocates working in trauma and abuse recovery.”

—Heidi Yewman, author of Dumb Girl

“Dr. Osborn’s cogent manifesto brings incest into sharp analytical focus, challenging its confinement to the private “family” sphere. Reframing incest as a pervasive social phenomenon with institutional roots, she traces how disbelief is produced and sustained. This urgent book offers a stark and necessary rethinking of the structures that normalize harm and make it so difficult to name.”

—Alexis A. Adams-Clark, Ph.D. - Research Associate, Center for Institutional Courage; Postdoctoral Fellow, Brown University

She’s Such a Liar is the phrase too many survivors hear when they tell the truth. Susan Osborn confronts the silence around incest and the systems that have helped keep it hidden.”

—Babs Walters, author Facing the Jaguar: A Memoir of Courage and Confrontation

“Susan Osborn brings admirable clarity and insight to the topic of incest, demanding that readers confront its pervasiveness and harm, while equipping them with context and insight to do so. She’s Such a Liar is both a history of how incest has been hiding in plain sight in texts from the ancient world to Freud and contemporary medicine and a manifesto for ending the interlocking systems that enable it.”

—Leigh Gilmore, Ph.D., professor emerita, English, Ohio State University, and author of Tainted Witness: Why We Doubt What Women Say About Their Lives

She’s Such a Liar is a seismic indictment of the powerful cultural, medical, and political systems that have kept incest hidden for centuries. Brave, incisive, and grounded in extensive research, Susan Osborn, Ph.D., names the truth most institutions refuse to confront, tearing the veil off a hidden epidemic and demanding we finally face what so many endure behind closed doors. Long overdue, this is an unflinching call to confront the entrenched systems that protect abusers and silence survivors.”

—Regina M. Calcaterra, Esq., New York Times best-selling author of Etched in Sand

“Osborn shows us in a beautifully written, concise volume that sexual violence against women, including incest, will never be solved until we lift the veil on the systems that support it. She invites us to rebuild a new culture that supports the equality of all, and disavows such violence completely and once and for all.”

—Susan Prout, co-founder, I Have the Right To

“Susan Osborn is an unstoppable force. Her latest book, She’s Such a Liar, is a bold analysis of the systems that use sexual violence to oppress and subordinate women. I hope this work will be adopted by women’s studies and gender studies departments globally.”

—Liz Alterman, author of the award-winning memoir Sad Sacked

“Susan Osborn’s She’s Such a Liar: Incest, Knowledge, and Power is a compelling indictment of a culture that erases incest from discussions of sexual violence, thereby obscuring male responsibility. While its subtitle, “A Manifesto,” signals a strong and urgent argument, it is precisely Osborn’s rigorous archival scholarship that gives that argument its authority. Written with clarity and accessibility, the book traces how institutions such as law, medicine, and psychiatry have been complicit in sustaining incest as “an inevitable outgrowth of patriarchal culture,” while cultural narratives—from the story of Dinah to centuries of male-authored commentary—have concealed incest and displaced blame onto women’s supposed bodily weaknesses. Echoing Linda T. Sanford’s observation that the offender “is a mirror of our culture,” Osborn demonstrates that despite feminist progress, incest persists as a pervasive yet systematically concealed reality at the heart of contemporary culture.”

—Barry V. Qualls, Professor of English Emeritus, Rutgers University

“A tour de force. Osborn’s book exposes the medical suppression of incest and the institutional forces that have sustained it for centuries. Meticulously researched and elegantly argued, this book confronts the politics of trauma and shame, dismantles the myth of medical neutrality, and calls for a cultural reckoning. This book could not be more timely.”

—Dawn Skorczewski, Professor of English emerita, Brandeis University, author of An Accident of Hope: The Therapy Tapes of Anne Sexton

She’s Such a Liar is a powerful feminist tract that reveals the underlying hypocrisy and corruption of traditional approaches to the subject of incest. uses both force and care to hammer out its argument that patriarchy is a rotten system that causes harm to girls and women. It accesses the language of women’s studies ideology in an approachable way and includes well-placed doses of humor….”

—Andrea Kreidler, Foreword Clarion Reviews

“Reading She’s Such a Liar will make you furious. And then it will make you an activist. Susan Osborn’s manifesto peels back centuries of male supremacist rhetorical and juridical strategies that have ever so conveniently invisibilized the father’s role in perpetrating incest. Persuasively arguing that incest is not the medical problem of wayward girls but a systemic form of gender oppression, Osborn gives us the tools to dismantle the dominant discourses that continue to protect perpetrators at the expense of girls’ human dignity.” 

—Marcie Bianco, author of Breaking Free: The Lie of Equality and the Feminist Fight for Freedom

“Osborn’s compelling account of the historical, cultural silencing around incest and the shaming of girls and women demands attention. She skillfully traces the roots of the public’s denial of incest and other forms of sexual violence, illuminating the role of institutions and broader social structures in sustaining the silence and attempting to control girls’ and women’s bodies. While acknowledging signs of progress in how we address gender-based sexual violence, Osborn demonstrates how the misogynous roots of incest, including patriarchal power and control, remain deeply embedded in our current context. She importantly frames sexual violence as matter of social justice, calling for urgent collective action at multiple levels and offering a roadmap for next steps.”

—Sarah McMahon, PhD, Rutgers University: Director, Center for Research on Ending Violence

“Susan Osborn has written a frank and detailed account of the problem of incest, focusing on the failures of psychiatrists, physicians, and others to acknowledge—much less address—the cases before them. Her emphasis on the institutional betrayals of the health care system, along with compelling material on the history of the suppression of incest, is timely and thought-provoking. Osborn’s work raises important questions about the goals of our health care system—which are not solely to promote health—and challenges readers to think more deeply about accountability and institutional responsibility. I hope her efforts inspire meaningful change. This book is an important read for everyone interested in gendered violence.”
—Sherry Hamby, Distinguished Research Professor of Psychology at the University of the South; Director, Life Paths Research Center

Praise for Surviving the Wreck

“A powerful novel, persuasive and unflinching.”
—The Philadelphia Inquirer

“…victorious and uplifting… a novel that should make its indelible mark in every reader’s mind.”
—The Harvard Independent

“In this finely crafted novel, Osborn depicts complex emotional and political territory…a strong and compelling book.”

—Louise Armstrong

author of "Kiss Daddy Goodnight"

“What we do for love is the theme of this novel. . . Osborn’s writing is lucid, pure, and intimate.”
—The Trenton Times

“Osborn’s story, told with exceptional and appropriate restraint, is. . . a psychological exorcism, a chance at rebirth.”
—The Washington Times

“A testimony to the power of truth and disclosure over secrecy.”

—Belles Lettres

“The aura of the dream sequences, the texture of the dialogue, the tactile longings conveyed by the fantasies, the shimmering quality of the memories, all are arresting and beautifully rendered.”
—The Women’s Review of Book

“…quite simply, a work of genius. Never before have the intricacies of family bonds been so honestly and so compellingly rendered.”

—Louise De Salvo

author of "Vertigo" and "Virginia Woolf: The Impact of Childhood Sexual Abuse on her Life and Work"

“A courageous and moving book.”
—New Jersey Monthly

Surviving the Wreck is a chilling novel about the silences in ‘normal’ families, the pain behind those silences, and the need to turn silence into speech.”

—Alicia Ostriker

former New York State Poet Laureate and author of Stealing the Language: The Emergence of Women’s Poetry in America.

Surviving the Wreck potently portrays…the divided alliances of the family set against the political tragedy of the Kennedy assassination. Beautifully written descriptions rivet the reader’s attention. . . A story…of survival and new beginnings.”

—Journal of Sex Education and Therapy

“Osborn writes with vivid imagery and a fine literary hand.”

—The Clinical Psychology of Women

“The contrast between the narrator’s understated …voice and the …physicality of the action is powerful.”
—Rutgers Magazine

“This masterfully executed novel. . . deals with the harrowing consequences of growing up in a family where everyone turns to the wrong person for affection. . . very engaging; highly recommended.”
—Library Journal

“In Osborn’s provocative text. . . the downward trajectory of historic public events. . . parallels the hidden corruption of the narrator’s household. It is… the strength of this novel that Osborn so successfully melds cultural memories of a generation to the personal recollections of her heroine.”
—San Diego Union-Tribune

“Rarely have the intricate and troubling dynamics of the family been conveyed as effectively as in Surviving the Wreck.”
—San Francisco Chronicle

“. . . an excellent book about family entrapment. What impresses me most is the fair treatment of the people involved—the incredible insight into the family dynamics. I highly recommend it.”
—Ralph H. Earle, Ph. D.

“This story succeeds in mirroring our most human concerns and offers hope.”
—Book Page

Praise for Elizabeth Bowen: New Critical Perspectives

“A splendid volume and an impressive contribution to the scholarship on Elizabeth Bowen … that will no doubt keep critics fascinated for years to come.”

—Irish Studies Review

“A very highly recommended addition to literary studies collections.”

—Midwest Book Review

“Osborn … advance[s] a series of sophisticated claims about mimesis … an impressive contribution.”

—Matthew Brown

Irish Studies Review

“A compelling… and valuable addition to the flourishing body of Bowen scholarship.”
—Modern Fiction Studies

“Osborn elaborates… new directions in Bowen criticism… The result is a homogeneity of critical approach… not typically encountered in such collections. Recommended.”
—Choice

“Well-moderated [and] dangerously intellectual … a tour de force.”

—Ian d’ Alton

The Irish Review

“[Osborn’s book] …offers something of great interest.”
—Études Irlandaises

“Highly competent and rewarding.”
—The Irish Review

“A serious and well-informed work… that anyone writing about the author will want to know.”

—Irish Literary Supplement

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